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Best guide to Campagna
Excellent Guide

Awards
Will delight collections solid in fashion history and design

A "must" for armchair adventurers & sailboating enthusiasts.
A dead pirate's treasure!

My Personal Fav!!!!
Gr8! Way better than I expected.

THE BIBLE OF GUITAR TEACHING!Glise is one of the "Gods" of the classical guitar - on stage, on recordings and in the teaching studio.
Anyone who even PRETENDS to play the guitar MUST HAVE THIS BOOK!!!!
Classical Guitar PedagogyThis book is currently in use as the primary textbook for classical guitar pedagogy classes in the US, Canada, Australia, Brazil and France and has recieved praise by virtually every guitar magazine in the world.
The first textbook of its kind, it covers a vast wealth of subjects and information from anatomical information to performance and career develoment for the classical guitarist....


The Best Jazz Bass Book
the Real complete jazzbass book

Excellent
Amazing!I have always wanted to just pick up a guitar and play, or play lead while another person is playing rhythem.
I highly recommend this book for anybody seeking to learn scales, chords, and just about anything else!
I love it!
I'm sure you will too!


Get Ready to Acquire Some Great Banjo-Picking SkillsThe book starts off explaining both traditional music notation and tablature. Every song and/or exercise throughout the book will have both traditional and tab notation. There are sections on how to tune, pictures explaining how to wear and use the thumb and fingerpicks, key signatures, time values of notes, chords, playing pinch chords and rolls as accompanyment to another instrument or singer, introduction of the various notes per each string on traditional music notation (with it's accompanying tab underneath) and various strum patterns.
The next section introduces the all important roll patterns for Scruggs-style bluegrass picking. So you get forward roll patterns (ex: forward roll during chord changes), backward rolls, thumb-alternating rolls, square rolls, combination rolls, etc. Mr. Griffin also gives tips on daily practice patterns and exercises. He gives advice such as, "I urge you to go over these patterns every time you pick up your banjo for the next six months, no matter what else you are working on. Many students learn one or two rolls really well but still slow down and struggle when others occur in solos. These patterns MUST become 'second-nature' or 'in-the-fingers,' so to speak, if you wish to become a good banjo player."
Later chapters introduce slides, hammer-ons and pull-offs, fills,endings and use of a capo. An entire section is devoted to solos although he advises not to learn this section until you have thoroughly mastered all the roll patterns from the previous chapter.
After this chapter there is a new major section to the book complete with its own introduction which suggests to me that at one time this one book must have been published in 2 smaller volumes. Anyway, Section 2 starts getting into more advanced banjo playing. It opens with various alternate tunings for the banjo then moves to chord studies and music theory such as the I,IV,V and I progression, moveable chord forms, dominant and diminished sevenths, etc. This is the section of the book that also begins teaching how to play higher up on the neck and also to my surprise and delight a detour into banjo playing for Blues,Boogie music and then into "melodic" or "chromatic" (aka fiddle-scale) picking styles . Mr. Griffin admits they are only brief introductions since entire books can and have been written that teach these styles of banjo playing. However he provides enough to broaden your playing skills and give you an idea to see if you like it enough to want to learn more elsewhere.
This second major section also introduces an "Advanced Solo Song Selection". He starts off with the advice, "Be sure to read the next four pages on chord diagrams, circled tab numbers, the choke, and chimes before you start playing the solos. This information will help you understand the solos much better. ..."Many of these songs have both high and low versions [i.e. high on the neck and low on the neck playing positions] with a mixture of "Scruggs" and "Melodic".
I've commented mostly about the lessons packed in this book but I would also like to mention the song selection. This book is chock full of traditional songs. Some I didn't recognize but many I did. Here are some of the songs included: Cripple Creek, Old Time Religion, When the Saints Go Marching In, Yellow Rose of Texas, Wabash Cannonball, She'll Be Coming 'Round the Mountain, Old Joe Clark, Oh Susanna, Ballad of Jesse James, Home Sweet Home, Battle Hymn of the Republic, Wildwood Flower, Will the Circle Be Unbroken, Salty Dog, Londonderry Air, Nuegrass, St. Anne's Reel and Buffalo Gals. As I said, that's only some of the songs included. In short most of them are traditionals that most people will have heard already many times before so they'll know how the songs sound even without the added benefit of the accompanying cassette/CD.
In my opinion those traditional songs sound great with fast banjo picking to back them up! It completely cast them in a new light for me once I started practicing them with the various rolls and chord progressions, solos and fills I learned from this book. Anyone interested in learning how to play the banjo should find this book helpful.
A good place to begin and improve with a banjo.

Excellent letters give intimate look at Federal-period womanShe pulls no punches: she hated "Tommy Jeff" and "Queen Dolla lolla" Madison; thought American might benefit from a king; made major investment decisions for her family; described the "rockets' red glare," (glimpsed from her bedroom window); and oversaw her daughter Caroline's debut into society.
An inspiring figure from this often-overlooked period, she gives the lie to those who believe that plantation mistresses-or housewives-did nothing but take care of a house. Her letters give the true picture of the all-consuming details: addressing business cares (she taught herself bookkeeping), educating her nine children; looking after her many servants and slaves; and (despite the household) surviving her isolation.
Her letters were discovered in the 1970s, when her family's centuries-old manuscript collection was cataloged. Rosalie's voice, buried for almost two centuries, is heard again.
Story of an extraordinary woman in early 19th century U.S.

Mystery keeps you guessing and on your toesChandler also makes the setting come alive. I've never been to the Pacific Northwest, but his vivid descriptions put me there. This book sucks you in, and makes you keep turning the pages until the answers to all the puzzles are revealed.
An excellent first novel - I'm looking forward to the sequel already!
Great stuff!